Talks & Conversations

Little Beasts: Art, Wonder, and the Natural World

Introduction to the Exhibition
Birds either standing or flying, a monkey, and two trees.
Anonymous Artist, Study of Birds and Monkey, 1660/1670, oil on copper, Gift of John Dimick, 1983.19.1

Celebrate opening day of Little Beasts: Art, Wonder, and the Natural World with this overview by artist Dario Robleto and exhibition curators Alexandra Libby, Brooks Rich, and Stacey Sell. A signing of the exhibition catalog will follow in the East Building Concourse Shop. 

About Little Beasts: Art, Wonder, and the Natural World

Experience the wonder of nature through the eyes of artists. Look closely at art depicting insects and other animals alongside real specimens.

Art played a pivotal role during the dawn of European natural history in the 16th and 17th centuries. Advancements in scientific technology, trade, and colonial expansion allowed naturalists to study previously unknown and overlooked insects, animals, and other beestjes, or “little beasts.”  

A delight for all ages, this exhibition features nearly 75 of these paintings, prints, and drawings in a unique presentation alongside specimens and taxidermy from the Smithsonian National Museum of Natural History. Learn about the rich exchange between artists and naturalists that sparked a fascination with earth’s living creatures, big and small. See how this intersection of art and science continues to inspire us today in a new film by Robleto.

You may also like

A very young visitor looking through a children's book in the National Gallery's East Building.

Talks & Conversations:  Storytime: Daddy / Papi

-
The wall-sized, horizontal sculpture consists of black rubber tires and tubing that has been sliced, stripped, woven, looped, twisted and otherwise manipulated into an expressive and abstract high-relief tableau.

Talks & Conversations:  Gallery Talk: Chakaia Booker

-
We look slightly down into a lime-green and white rowboat carrying a woman holding a baby and a man in this nearly square painting. The man wears midnight-blue shoes, pants, jacket, and soft, floppy cap. He sits with his back to us, bending forward to row the boat, which is cropped by the bottom edge of the canvas. The left side of his ruddy face is visible over his left shoulder. The woman and baby both have pale skin. The woman and baby sit across from the man, facing us to our left in the bow. The woman’s long-sleeved, sky-blue dress is crosshatched with pink lines. The baby leans back in the woman’s arms, and wears a pink dress, blue socks, and brown shoes. The wide-brimmed hats on both the woman and baby are painted pale celery green. They gaze toward or just past the man. The corner of the boat’s sail, also painted pale green, is pulled taunt by the wind to our left. Azure-blue water surrounds the boat up to the high horizon line, which brushes the top edge of the painting. The shoreline in the distance is lined with trees and dotted with white houses with red roofs.

Talks & Conversations:  The Art of Looking: Mary Cassatt, The Boating Party

-
Registration Required